The Roman antiquities, t. 4, Plate XXXII. Following the above table.
- Artist
- Giovanni Battista Piranesi
- Style
- Neoclassicism
- Genre
- Cityscape
The painting titled "The Roman antiquities, t. 4, Plate XXXII. Following the above table." exemplifies the precision and elegance characteristic of Neoclassicism. Crafted as an Etching, it captures a detailed Cityscape backdrop filled with Roman ruins and architectural grandeur. The artwork emphasizes clarity and classical themes, reflecting a fascination with antiquity. The intricate lines and careful composition evoke a sense of historical reverence, making it a significant visual document of Roman antiquities and the neoclassical artistic movement’s focus on harmony and order.
Related artworks
- The Roman antiquities, t. 4, Plate XXX by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XXVII. One of the fragments of the ancient map of Rome showing the layout of the stage of the Theatre of Marcellus. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XXXIV. Vista of some of the great parts of the first order of the Theatre of Marcellus. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XXXI. Section one of the wedges of the Theatre of Marcellus. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XXV. Plan of the Theatre of Marcellus. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XXXIII. Vista of a first class part of the arcades of the Theatre of Marcellus. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XXVI. Another plan of the Theatre of Marcellus. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XXXV. Great Vista of some of the first order of the Doric of the Theatre of Marcellus. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XXXVI. Vista of a second part of the arcades of the Theatre of Marcellus. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XXXVII. Vista of the second-largest share of the Theatre of Marcellus. by Giovanni Battista Piranesi