The Roman antiquities, t. 4, Plate XXVIII. External façade of the advancement of circular arches of the Theatre of Marcellus.
- Artist
- Giovanni Battista Piranesi
- Style
- Neoclassicism
- Genre
- Design
The painting titled The Roman antiquities, t. 4, Plate XXVIII depicts the external façade of the advancement of circular arches of the Theatre of Marcellus, exemplifying classical Roman architecture. Created as an etching, it reflects meticulous design that captures the grandeur and engineering ingenuity of the period. The style exhibits characteristics of Neoclassicism, emphasizing symmetry and proportion. The detailed rendering highlights the structural elements, offering a visual insight into ancient Roman construction and architecture.
Related artworks
- The Roman antiquities, t. 4, Plate XXXI. Section one of the wedges of the Theatre of Marcellus. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XXVII. One of the fragments of the ancient map of Rome showing the layout of the stage of the Theatre of Marcellus. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XXXIV. Vista of some of the great parts of the first order of the Theatre of Marcellus. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XXXII. Following the above table. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XXV. Plan of the Theatre of Marcellus. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XXXIII. Vista of a first class part of the arcades of the Theatre of Marcellus. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XXVI. Another plan of the Theatre of Marcellus. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XXXV. Great Vista of some of the first order of the Doric of the Theatre of Marcellus. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XXXVI. Vista of a second part of the arcades of the Theatre of Marcellus. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XXXVII. Vista of the second-largest share of the Theatre of Marcellus. by Giovanni Battista Piranesi