Neoclassicism

Ariadne's Gallery holds 3,212 Neoclassicism works by 75 artists, most made between 1756 and 1923. The best represented artists are Giovanni Battista Piranesi, Jean Auguste Dominique Ingres and John Singleton Copley. The most common genres are portrait, design and cityscape.

Emotional profile

Sadness: 34 (collection average 34)
Joy: 41 (collection average 46)
Tension: 45 (collection average 48)
Anger: 23 (collection average 23)
Nostalgia: 45 (collection average 47)
Wonder: 49 (collection average 48)
Interest: 58 (collection average 57)

Leading artists

Artworks (200 of 3,212)

the Waterfalls at Tivoli by Claude-Joseph Vernet, 1737 — Wonder 71, Joy 59, Interest 65
Susanna Kennedy, Countess of Eglinton (copy After William Aikman) by Gavin Hamilton, 1740 — Anger 80, Sadness 70, Tension 74
Burial chamber invented and designed in accordance with the custom and the ancient Roman emperors magnificence by Giovanni Battista Piranesi, 1742 — Wonder 70, Nostalgia 60, Sadness 45
Ancient temple invented and designed in the manner of those that were manufactured in honor of the goddess Vesta (recorded in 1743) by Giovanni Battista Piranesi, 1743 — Anger 59, Sadness 70, Nostalgia 75
The Bridge and the Castel Sant'angelo in Rome by Claude-Joseph Vernet, 1745 — Wonder 55, Joy 50, Nostalgia 50
Villa at Caprarola by Claude-Joseph Vernet, 1746 — Joy 55, Wonder 55, Interest 60
Arch of Augustus, manufactured by Rimini by Giovanni Battista Piranesi, 1747 - 1748 — Wonder 65, Nostalgia 60, Sadness 40
A marble plaque with the inscription: Roman Antiquities outside of Rome, drawn and engraved by Venetian architect Giambattista Piranesi, Part Two by Giovanni Battista Piranesi, c.1748 — Tension 81, Sadness 55, Anger 40
Amphitheater of Pula in Istria near the sea by Giovanni Battista Piranesi, 1748 — Wonder 65, Joy 65, Interest 70
Amphitheatre of Verona by Giovanni Battista Piranesi, c.1748 — Wonder 56, Joy 55, Interest 60
Arch of Constantine in Rome by Giovanni Battista Piranesi, 1748 — Wonder 70, Nostalgia 60, Sadness 45
Arch of Drusus and the door of St Sebastian in Rome by Giovanni Battista Piranesi, 1748 — Wonder 65, Sadness 50, Nostalgia 55
Arch of Pula in Istria near the port by Giovanni Battista Piranesi, 1748 — Wonder 65, Nostalgia 60, Sadness 45
Arch of Titus in Rome by Giovanni Battista Piranesi, 1748 — Wonder 70, Nostalgia 60, Sadness 45
Arco de Tito by Giovanni Battista Piranesi, 1748 — Joy 82, Interest 79, Wonder 72
Coliseum and Flavian`s Amphitheatre in Rome by Giovanni Battista Piranesi, c.1748 — Wonder 75, Joy 70, Anger 45
Night A Port in the Moonlight by Claude-Joseph Vernet, 1748 — Wonder 85, Joy 80, Interest 75
Tivoli Landscapes (1748) by Joseph Vernet by Claude-Joseph Vernet, 1748 — Wonder 70, Interest 66, Joy 55
Vue de Naples avec le Vésuve by Claude-Joseph Vernet, 1748 — Joy 61, Wonder 60, Interest 65
William Hamilton of Bangour, Poet by Gavin Hamilton, 1748 — Wonder 65, Joy 65, Interest 70
Hagar to Abraham with Sarah by Joseph-Marie Vien, 1749 — Anger 60, Sadness 69, Tension 80
The Round Tower, plate III from `Carceri d`Invenzione` by Giovanni Battista Piranesi, 1749 — Sadness 72, Tension 55, Nostalgia 53
Ancient altar, with other ruins by Giovanni Battista Piranesi, c.1750 — Sadness 60, Nostalgia 70, Tension 50
Ancient mausoleum erected to the ashes of a Roman Emperor by Giovanni Battista Piranesi, c.1750 — Anger 69, Sadness 80, Tension 85
Antenna dark prison by Giovanni Battista Piranesi, c.1750 — Anger 80, Sadness 85, Tension 91
Arch of Septimius Severus by Giovanni Battista Piranesi, c.1750 - c.1759 — Wonder 65, Sadness 50, Nostalgia 55
Arco di Settimio Severo by Giovanni Battista Piranesi, c.1750 - c.1759 — Wonder 65, Interest 60, Joy 49
Bridge with magnificent balconies and arches erected by a Roman Emperor by Giovanni Battista Piranesi, c.1750 — Wonder 80, Joy 75, Nostalgia 70
Column group holding two arcs of a large courtyard with fountains and stairs by Giovanni Battista Piranesi, c.1750 — Anger 50, Sadness 60, Nostalgia 65
George Oakley Aldrich by Pompeo Batoni, c.1750 — Joy 45, Nostalgia 40, Anger 10
Portrait of Cardinal Prospero Colonna Di Sciarra by Pompeo Batoni, c.1750 — Sadness 55, Anger 40, Nostalgia 56
Portrait of Charles Hanbury Williams by Anton Raphael Mengs, 1750 — Joy 55, Nostalgia 50, Interest 55
The Cascade at Tivoli by Claude-Joseph Vernet, 1750 — Wonder 75, Joy 65, Interest 70
Colonna Antonina by Giovanni Battista Piranesi, 1751 — Anger 56, Sadness 65, Nostalgia 70
Elizabeth Gunning, Duchess of Hamilton (later Duchess of Argyll) by Gavin Hamilton, c.1752 — Anger 80, Sadness 71, Tension 75
Portrait of Ralph Howard, Later 1st Viscount Wicklow by Pompeo Batoni, 1752 — Joy 55, Wonder 55, Interest 61
Richard Wilson by Anton Raphael Mengs, 1752 — Joy 45, Anger 20, Nostalgia 39
Charles Pelham by John Singleton Copley, c.1753 - 1754 — Sadness 21, Anger 8, Joy 25
Elizabeth Gunning, Duchess of Hamilton by Gavin Hamilton, 1753 — Anger 77, Sadness 68, Tension 73
Frederick North, 2nd Earl of Guilford by Pompeo Batoni, 1753 — Joy 50, Nostalgia 45, Interest 50
L'entrée du port de Marseille by Claude-Joseph Vernet, 1754 — Joy 55, Wonder 55, Interest 60
The Forge of Vulcan by John Singleton Copley, 1754 — Anger 8, Sadness 19, Joy 28
The Return of Neptune by John Singleton Copley, c.1754 — Anger 11, Sadness 20, Joy 27
Joseph Henry of Straffan by Pompeo Batoni, 1755 — Sadness 55, Anger 40, Nostalgia 55
Portrait of a Woman by John Singleton Copley, 1755 — Interest 68, Nostalgia 36, Anger 10
Portrait of William Burton Conyngham by Anton Raphael Mengs, 1755 — Joy 51, Nostalgia 46, Anger 15
Première vue de Toulon by Claude-Joseph Vernet, 1755 — Wonder 65, Interest 70, Joy 56
Saint John the Baptist in the Desert by Anton Raphael Mengs, 1755 — Sadness 65, Tension 75, Anger 45
The Gore Children by John Singleton Copley, c.1755 — Joy 57, Interest 63, Anger 12
Ann Tyng by John Singleton Copley, 1756 — Sadness 23, Anger 8, Joy 24
Gregory Towsend by John Singleton Copley, 1756 — Anger 9, Sadness 20, Joy 25
Landschaft Mit Burgruine by Claude-Joseph Vernet, 1756 — Joy 55, Wonder 56, Interest 60
The Roman antiquities, t. 1, Plate I. by Giovanni Battista Piranesi, 1756 — Anger 40, Nostalgia 60, Sadness 40
The Roman antiquities, t. 1, Plate II. Map of ancient Rome and Forma Urbis. by Giovanni Battista Piranesi, 1756 — Anger 45, Nostalgia 65, Sadness 45
The Roman antiquities, t. 1, Plate III. Map of ancient Rome and Forma Urbis. by Giovanni Battista Piranesi, 1756 — Anger 49, Nostalgia 71, Sadness 50
The Roman antiquities, t. 1, Plate IV. Map of ancient Rome and Forma Urbis. by Giovanni Battista Piranesi, 1756 — Anger 48, Nostalgia 68, Sadness 51
The Roman antiquities, t. 1, Plate IX. Aurelian Walls. by Giovanni Battista Piranesi, 1756 — Wonder 65, Interest 70, Joy 56
The Roman antiquities, t. 1, Plate V. Map of ancient Rome and Forma Urbis. by Giovanni Battista Piranesi, 1756 — Anger 36, Nostalgia 55, Sadness 35
The Roman antiquities, t. 1, Plate VIII. Aurelian Walls. by Giovanni Battista Piranesi, 1756 — Anger 42, Nostalgia 62, Sadness 39
The Roman antiquities, t. 1, Plate VIII. Aurelian Walls. by Giovanni Battista Piranesi, 1756 — Anger 41, Nostalgia 62, Tension 52
The Roman antiquities, t. 1, Plate X. Aurelian Walls and Amphitheatrum Castrense. by Giovanni Battista Piranesi, 1756 — Wonder 65, Interest 70, Nostalgia 55
The Roman antiquities, t. 1, Plate XI. Aurelian Wall : Muro Torto. by Giovanni Battista Piranesi, 1756 — Anger 34, Nostalgia 55, Sadness 35
The Roman antiquities, t. 1, Plate XI. Porta Tiburtina. by Giovanni Battista Piranesi, 1756 — Anger 35, Nostalgia 55, Sadness 36
The Roman antiquities, t. 1, Plate XI. Urban Walls. by Giovanni Battista Piranesi, 1756 — Anger 45, Nostalgia 65, Tension 55
The Roman antiquities, t. 1, Plate XII. Aqua Alsietina. by Giovanni Battista Piranesi, 1756 — Anger 50, Nostalgia 70, Sadness 50
The Roman antiquities, t. 1, Plate XII. Aqua Alsietina. by Giovanni Battista Piranesi, 1756 — Anger 50, Nostalgia 70, Sadness 50
The Roman antiquities, t. 1, Plate XIII by Giovanni Battista Piranesi, 1756 — Interest 71, Wonder 65, Joy 54
The Roman antiquities, t. 1, Plate XIII. Column of Marcus Aurelius. by Giovanni Battista Piranesi, 1756 — Wonder 65, Interest 70, Joy 55
The Roman antiquities, t. 1, Plate XIV by Giovanni Battista Piranesi, 1756 — Anger 35, Nostalgia 55, Sadness 35
The Roman antiquities, t. 1, Plate XIV. Pantheon. by Giovanni Battista Piranesi, 1756 — Wonder 65, Interest 70, Joy 55
The Roman antiquities, t. 1, Plate XIV. Pantheon. by Giovanni Battista Piranesi, 1756 — Wonder 65, Interest 70, Joy 55
The Roman antiquities, t. 1, Plate XIX by Giovanni Battista Piranesi, 1756 — Anger 35, Nostalgia 55, Sadness 35
The Roman antiquities, t. 1, Plate XIX. Duct of Caracalla. by Giovanni Battista Piranesi, 1756 — Anger 44, Nostalgia 65, Tension 55
The Roman antiquities, t. 1, Plate XL by Giovanni Battista Piranesi, 1756 — Anger 50, Nostalgia 70, Sadness 50
The Roman antiquities, t. 1, Plate XLI. The Nymphaeum of Nero, the Stadium, the `Odeo, and the Temples of the people Flavia, manufactured by Domitian by Giovanni Battista Piranesi, 1756 — Wonder 65, Interest 70, Joy 55
The Roman antiquities, t. 1, Plate XLII. Plan of the Baths of Diocletian by Giovanni Battista Piranesi, 1756 — Anger 35, Nostalgia 55, Sadness 35
The Roman antiquities, t. 1, Plate XLII. Plan of the Baths of Diocletian by Giovanni Battista Piranesi, 1756 — Anger 35, Nostalgia 55, Sadness 35
The Roman antiquities, t. 1, Plate XLIII. Plan of the ancient Roman Forum by Giovanni Battista Piranesi, 1756 — Anger 45, Nostalgia 65, Tension 55
The Roman antiquities, t. 1, Plate XLIV. Plan of Mount Capitoline and its fortress; Perspective of the two horns or stones that stood in the sides of the Capitoline by Giovanni Battista Piranesi, 1756 — Anger 35, Nostalgia 55, Sadness 36
The Roman antiquities, t. 1, Plate XLV. Plan of upper floor of the Caesars Palace de `d` home `s believed Augustus (Drawing and inc. By Francesco Piranesi) by Giovanni Battista Piranesi, 1756 — Wonder 66, Interest 70, Joy 54
The Roman antiquities, t. 1, Plate XLVI. Plan of the lower part of the `Palace of the Caesars believed the Baths Palatine (Drawing and inc. By Francesco Piranesi) by Giovanni Battista Piranesi, 1756 — Wonder 65, Interest 70, Joy 55
The Roman antiquities, t. 1, Plate XVI by Giovanni Battista Piranesi, 1756 — Anger 35, Nostalgia 55, Sadness 35
The Roman antiquities, t. 1, Plate XVII. Aqua Claudia. by Giovanni Battista Piranesi, 1756 — Wonder 65, Interest 69, Joy 55
The Roman antiquities, t. 1, Plate XVII. Aqua Claudia. by Giovanni Battista Piranesi, 1756 — Interest 71, Wonder 64, Joy 55
The Roman antiquities, t. 1, Plate XVIII. Tomb near Porta San Sebastiano. by Giovanni Battista Piranesi, 1756 — Anger 45, Nostalgia 64, Tension 55
The Roman antiquities, t. 1, Plate XX. Casa dei Crescenzi. by Giovanni Battista Piranesi, 1756 — Anger 35, Nostalgia 56, Sadness 35
The Roman antiquities, t. 1, Plate XX. Ponte Rotto. by Giovanni Battista Piranesi, 1756 — Anger 35, Nostalgia 55, Sadness 35
The Roman antiquities, t. 1, Plate XX. Portico of Marcus Aemilius Lepidus and P. Aemilius Paulus. by Giovanni Battista Piranesi, 1756 — Anger 35, Nostalgia 55, Sadness 35
The Roman antiquities, t. 1, Plate XXI. Arch of Janus. by Giovanni Battista Piranesi, 1756 — Anger 45, Nostalgia 65, Tension 55
The Roman antiquities, t. 1, Plate XXII. Cloaca Maxima. by Giovanni Battista Piranesi, 1756 — Anger 45, Nostalgia 65, Tension 55
The Roman antiquities, t. 1, Plate XXII. Temple of Cybele. by Giovanni Battista Piranesi, 1756 — Anger 45, Nostalgia 65, Tension 55
The Roman antiquities, t. 1, Plate XXIII. Aventine Hill. by Giovanni Battista Piranesi, 1756 — Wonder 65, Interest 70, Joy 55
The Roman antiquities, t. 1, Plate XXIII. Aventine Hill. by Giovanni Battista Piranesi, 1756 — Wonder 65, Interest 69, Joy 56
The Roman antiquities, t. 1, Plate XXIV. Celio o Oppio. The Seven Halls. Baths of Trajan. by Giovanni Battista Piranesi, 1756 — Anger 36, Nostalgia 54, Sadness 34
The Roman antiquities, t. 1, Plate XXIV. Nero`s aqueduct. by Giovanni Battista Piranesi, 1756 — Anger 35, Nostalgia 55, Sadness 35
The Roman antiquities, t. 1, Plate XXIX. Trajan`s Column. by Giovanni Battista Piranesi, 1756 — Wonder 65, Interest 70, Joy 55
The Roman antiquities, t. 1, Plate XXIX. Trajan`s Market. by Giovanni Battista Piranesi, 1756 — Wonder 65, Interest 70, Joy 55
The Roman antiquities, t. 1, Plate XXV. Nero`s aqueduct. by Giovanni Battista Piranesi, 1756 — Wonder 65, Interest 70, Joy 55
The Roman antiquities, t. 1, Plate XXV. Santo Stefano Rotondo. by Giovanni Battista Piranesi, 1756 — Sadness 70, Tension 61, Anger 30
The Roman antiquities, t. 1, Plate XXVI. Aqua Julia. by Giovanni Battista Piranesi, 1756 — Sadness 65, Tension 55, Anger 25
The Roman antiquities, t. 1, Plate XXVI. Arch of Gallienus. by Giovanni Battista Piranesi, 1756 — Sadness 60, Tension 50, Anger 20
The Roman antiquities, t. 1, Plate XXVII. "Baths of Titus" (really the Baths of Traianus). by Giovanni Battista Piranesi, 1756 — Sadness 55, Tension 45, Anger 15
The Roman antiquities, t. 1, Plate XXVII. The Seven Halls. by Giovanni Battista Piranesi, 1756 — Sadness 50, Tension 40, Anger 11
The Roman antiquities, t. 1, Plate XXVIII. "Baths of Titus" (really the Baths of Traianus). by Giovanni Battista Piranesi, 1756 — Sadness 52, Tension 42, Anger 12
The Roman antiquities, t. 1, Plate XXVIII. Baths of Diocletian. by Giovanni Battista Piranesi, 1756 — Sadness 59, Tension 48, Anger 18
The Roman antiquities, t. 1, Plate XXX. Forum Nervae. by Giovanni Battista Piranesi, 1756 — Sadness 45, Wonder 45, Joy 35
The Roman antiquities, t. 1, Plate XXX. Forum Nervae. by Giovanni Battista Piranesi, 1756 — Sadness 48, Wonder 40, Tension 38
The Roman antiquities, t. 1, Plate XXXI. Arch of Septimius Severus. by Giovanni Battista Piranesi, 1756 — Sadness 50, Tension 40, Anger 12
The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina. by Giovanni Battista Piranesi, 1756 — Interest 65, Joy 55, Wonder 54
The Roman antiquities, t. 1, Plate XXXII. Ruins of the pronaos of the temple of Jupiter the Thunderer. by Giovanni Battista Piranesi, 1756 — Anger 45, Sadness 45, Tension 56
The Roman antiquities, t. 1, Plate XXXIII. Ruins of the temple of Castor and Pollux. by Giovanni Battista Piranesi, 1756 — Anger 45, Sadness 45, Tension 55
The Roman antiquities, t. 1, Plate XXXIII. Veduta with ruins of Nero`s Golden House. by Giovanni Battista Piranesi, 1756 — Anger 50, Sadness 50, Tension 60
The Roman antiquities, t. 1, Plate XXXIV. Veduta with Arch of Titus. by Giovanni Battista Piranesi, 1756 — Anger 50, Sadness 50, Tension 60
The Roman antiquities, t. 1, Plate XXXIX by Giovanni Battista Piranesi, 1756 — Anger 50, Sadness 50, Tension 60
The Roman antiquities, t. 1, Plate XXXV by Giovanni Battista Piranesi, 1756 — Anger 50, Sadness 50, Tension 60
The Roman antiquities, t. 1, Plate XXXVI by Giovanni Battista Piranesi, 1756 — Anger 50, Sadness 51, Tension 60
The Roman antiquities, t. 1, Plate XXXVI. Veduta with ruins of the Peristyle House of Nero. by Giovanni Battista Piranesi, 1756 — Anger 50, Sadness 50, Tension 60
The Roman antiquities, t. 1, Plate XXXVII. View of Flavian Amphitheatre and the Colosseum. by Giovanni Battista Piranesi, 1756 — Sadness 60, Nostalgia 70, Wonder 65
The Roman antiquities, t. 1, Plate XXXVIII by Giovanni Battista Piranesi, 1756 — Sadness 58, Nostalgia 68, Wonder 63
The Roman antiquities, t. 1, Plate XXXVIII by Giovanni Battista Piranesi, 1756 — Sadness 57, Nostalgia 66, Wonder 60
The Roman antiquities, t. 1, Plate XXXVIII. Plate of topography of Rome. by Giovanni Battista Piranesi, 1756 — Sadness 60, Nostalgia 69, Wonder 64
The Roman antiquities, t. 2, Plate IV. Plan and elevation of the `surplus of wall in the tomb of C. Poblicio at the foot of the Capitol in a place called Macel de `Corvi. by Giovanni Battista Piranesi, 1756 — Nostalgia 66, Sadness 55, Wonder 60
The Roman antiquities, t. 2, Plate IX. Plan of the burial chambers of `Liberti, and Family L. Arrunzio. by Giovanni Battista Piranesi, 1756 — Nostalgia 68, Sadness 55, Wonder 62
The Roman antiquities, t. 2, Plate V by Giovanni Battista Piranesi, 1756 — Sadness 56, Nostalgia 66, Wonder 62
The Roman antiquities, t. 2, Plate V by Giovanni Battista Piranesi, 1756 — Sadness 55, Nostalgia 65, Wonder 61
The Roman antiquities, t. 2, Plate VI. Following the above table. by Giovanni Battista Piranesi, 1756 — Sadness 54, Nostalgia 64, Wonder 60
The Roman antiquities, t. 2, Plate VII. Plan, cracked and facade of a tomb outside Porta S. Sebastian on the Via Appia in the Hamlet of S. Maria Nuova. by Giovanni Battista Piranesi, 1756 — Nostalgia 64, Sadness 53, Wonder 58
The Roman antiquities, t. 2, Plate VIII. Entry of the burial chamber of L. Liberti and Family Arrunzio. by Giovanni Battista Piranesi, 1756 — Sadness 54, Nostalgia 64, Wonder 59
The Roman antiquities, t. 2, Plate XI. View of another part of burial chamber of L. Arrunzio by Giovanni Battista Piranesi, 1756 — Sadness 53, Nostalgia 63, Wonder 58
The Roman antiquities, t. 2, Plate XII. Prospectus and Profile of a tomb of the previous rooms by Giovanni Battista Piranesi, 1756 — Sadness 52, Nostalgia 62, Wonder 57
The Roman antiquities, t. 2, Plate XIII. Ornaments in stucco, existing in the Time of the burial chamber of L. Arrunzio. by Giovanni Battista Piranesi, 1756 — Sadness 52, Nostalgia 61, Wonder 56
The Roman antiquities, t. 2, Plate XIV. Inscriptions and fragments of the burial chambers of the Family Arrunzia (figures carved from Barbault). by Giovanni Battista Piranesi, 1756 — Sadness 50, Nostalgia 60, Wonder 55
The Roman antiquities, t. 2, Plate XL. View of a tomb oldest existing bridge in a vineyard near Lugano. by Giovanni Battista Piranesi, 1756 — Sadness 55, Nostalgia 65, Wonder 60
The Roman antiquities, t. 2, Plate XLI. External view of the three rooms before burial. by Giovanni Battista Piranesi, 1756 — Sadness 54, Nostalgia 64, Wonder 59
The Roman antiquities, t. 2, Plate XLII. Interior view of one of the three rooms before burial. by Giovanni Battista Piranesi, 1756 — Sadness 53, Nostalgia 63, Wonder 58
The Roman antiquities, t. 2, Plate XLIII. Plan and elevation of a burial chamber. by Giovanni Battista Piranesi, 1756 — Sadness 52, Nostalgia 61, Wonder 57
The Roman antiquities, t. 2, Plate XV. Inscriptions and fragments of the burial chambers of the Family Arrunzia (figures carved from Barbault). by Giovanni Battista Piranesi, 1756 — Interest 70, Wonder 60, Anger 15
The Roman antiquities, t. 2, Plate XVII. Burial Chamber just steps away from the family of L. Arrunzio. by Giovanni Battista Piranesi, 1756 — Interest 65, Wonder 55, Sadness 25
The Roman antiquities, t. 2, Plate XVIII. Inscriptions and fragments of the burial chamber above. by Giovanni Battista Piranesi, 1756 — Interest 60, Wonder 50, Sadness 25
The Roman antiquities, t. 2, Plate XVIX. Inscriptions and fragments of the burial chamber above. by Giovanni Battista Piranesi, 1756 — Interest 61, Wonder 50, Sadness 25
The Roman antiquities, t. 2, Plate XX. Inscriptions and fragments of the burial chamber above. by Giovanni Battista Piranesi, 1756 — Interest 60, Wonder 50, Sadness 24
The Roman antiquities, t. 2, Plate XXI. Urn of marble found in the burial chamber above (figures carved from Barbault). by Giovanni Battista Piranesi, 1756 — Interest 70, Wonder 60, Anger 14
The Roman antiquities, t. 2, Plate XXII. Plan of the Mausoleum of Constance. by Giovanni Battista Piranesi, 1756 — Interest 75, Wonder 65, Tension 41
The Roman antiquities, t. 2, Plate XXIII. Remains of the great building burial added to the Mausoleum of Constance. by Giovanni Battista Piranesi, 1756 — Interest 70, Wonder 61, Anger 10
The Roman antiquities, t. 2, Plate XXIV. Columns with their capitals, architrave, frieze and cornice existing under the arches inside the Mausoleum of Constance. by Giovanni Battista Piranesi, 1756 — Interest 70, Wonder 60, Anger 10
The Roman antiquities, t. 2, Plate XXIX. View of the Tomb of the Scipios believed outside Porta S. Sebastiano. by Giovanni Battista Piranesi, 1756 — Interest 65, Wonder 55, Sadness 25
The Roman antiquities, t. 2, Plate XXV. Large urn of porphyry, within which is believed to have been placed the body of Constance. by Giovanni Battista Piranesi, 1756 — Interest 70, Wonder 60, Anger 10
The Roman antiquities, t. 2, Plate XXVI. Previous cross-section of large urn and other details. by Giovanni Battista Piranesi, 1756 — Interest 65, Wonder 56, Sadness 25
The Roman antiquities, t. 2, Plate XXVII. Plan of a factory tomb outside Porta Maggiore in a vineyard next to Tower Pignataro. by Giovanni Battista Piranesi, 1756 — Interest 65, Wonder 54, Sadness 25
The Roman antiquities, t. 2, Plate XXX. Plan and elevation of a factory located not far from the burial Tower Slave. by Giovanni Battista Piranesi, 1756 — Interest 65, Wonder 55, Sadness 25
The Roman antiquities, t. 2, Plate XXXI. Fragment of stucco gouged by the time of Nicchioni is one of the interior of the factory before burial. by Giovanni Battista Piranesi, 1756 — Interest 65, Wonder 55, Sadness 25
The Roman antiquities, t. 2, Plate XXXII. Plan and external view of the tomb of Alexander Severus located outside Porta S. John about a mile from the aqueducts. by Giovanni Battista Piranesi, 1756 — Interest 70, Wonder 60, Anger 15
The Roman antiquities, t. 2, Plate XXXIII. Insight into the tomb of Alexander Severus. by Giovanni Battista Piranesi, 1756 — Interest 70, Wonder 60, Anger 16
The Roman antiquities, t. 2, Plate XXXIV. Grand marble urn believed to Alexander Severus and his mother Julia Mamea (figures carved from Barbault). by Giovanni Battista Piranesi, 1756 — Interest 70, Wonder 59, Anger 14
The Roman antiquities, t. 2, Plate XXXIX. Plan and section of the three rooms of the family of Augustus believed burial. by Giovanni Battista Piranesi, 1756 — Interest 60, Wonder 50, Sadness 25
The Roman antiquities, t. 2, Plate XXXV. Rear of the previous special urn. by Giovanni Battista Piranesi, 1756 — Sadness 35, Interest 55, Wonder 45
The Roman antiquities, t. 2, Plate XXXVI. Hips and split of the urn itself (figures carved from Barbault). by Giovanni Battista Piranesi, 1756 — Sadness 36, Interest 55, Wonder 46
The Roman antiquities, t. 2, Plate XXXVII. Plan and elevation of a tomb located on the ancient Via Appia near the Vineyard Buonamici. by Giovanni Battista Piranesi, 1756 — Interest 60, Wonder 50, Sadness 24
The Roman antiquities, t. 2, Plate XXXVIII. Cutaway view of the tomb before. by Giovanni Battista Piranesi, 1756 — Sadness 35, Interest 55, Wonder 45
the Town and Harbour of Toulon by Claude-Joseph Vernet, 1756 — Wonder 60, Joy 50, Nostalgia 45
Detail Showing the Ruins of the Pont Saint-bénezet from a Painting of Avignon by Claude-joseph Vernet. the View is from the Right Bank of the Rhone near the Tour Philippe-le-bel by Claude-Joseph Vernet, 1757 — Tension 55, Wonder 50, Anger 25
Theodore Atkinson Jr by John Singleton Copley, c.1757 - 1758 — Anger 13, Sadness 23, Wonder 32
William Fermor by Anton Raphael Mengs, 1757 — Tension 50, Joy 45, Anger 21
Cardinal Etienne-rené Potier De Gesvres by Pompeo Batoni, 1758 — Sadness 59, Anger 45, Tension 55
Eunice Dennie Burr by John Singleton Copley, 1758 - 1760 — Sadness 22, Anger 10, Joy 25
Hugh Hall by John Singleton Copley, 1758 — Anger 10, Joy 28, Sadness 17
Mary and Elizabeth Royall by John Singleton Copley, c.1758 — Sadness 19, Anger 8, Joy 27
Porträt Von Sir John Armytage, 2nd Baronet by Pompeo Batoni, 1758 — Sadness 50, Anger 36, Nostalgia 54
Robert Stewart, Later 1st Marquess of Londonderry by Anton Raphael Mengs, 1758 — Sadness 55, Tension 65, Anger 35
Sigismonda by William Hogarth, 1758 - 1759 — Anger 80, Sadness 75, Tension 85
Thaddeus Burr by John Singleton Copley, 1758 - 1760 — Anger 8, Sadness 19, Joy 24
Thomas Aston Coffin by John Singleton Copley, 1758 — Anger 12, Sadness 17, Joy 26
Thomas Greene by John Singleton Copley, 1758 — Anger 11, Sadness 20, Wonder 32
William Fermor by Pompeo Batoni, 1758 — Joy 50, Nostalgia 45, Interest 50
Andromache Bewailing the Death of Hector by Gavin Hamilton, 1759 — Anger 92, Sadness 84, Tension 88
Deuxième vue du port de Bordeaux by Claude-Joseph Vernet, 1759 — Wonder 45, Interest 51, Anger 10
Moses Gill by John Singleton Copley, c.1759 — Anger 9, Sadness 20, Wonder 31
Portrait of Pope Clement XIII by Anton Raphael Mengs, 1759 — Nostalgia 45, Joy 40, Anger 15
Shipwreck by Claude-Joseph Vernet, 1759 — Wonder 56, Sadness 40, Interest 60
Venus Ushering Paris to Helen by Gavin Hamilton, 1759 — Interest 75, Wonder 70, Joy 69
Achilles Lamenting the Death of Patroclus by Gavin Hamilton, 1760 - 1763 — Anger 90, Sadness 80, Tension 85
Arco de Tito by Giovanni Battista Piranesi, 1760 — Joy 80, Interest 78, Wonder 70
Asunción de la Virgen by Francisco Bayeu y Subias, 1760 — Nostalgia 60, Sadness 35, Anger 15
Henry Pelham by John Singleton Copley, c.1760 — Anger 12, Sadness 20, Joy 27
Parnassus (study) by Anton Raphael Mengs, 1760 — Joy 55, Interest 55, Nostalgia 40
Portrait of Ferdinand IV of Naples by Anton Raphael Mengs, 1760 — Joy 55, Nostalgia 50, Interest 55
Porträt Des John Marquis of Monthermer by Pompeo Batoni, 1760 — Joy 45, Nostalgia 40, Interest 50
the Cascades of Tivoli, Oil on Canvas Painting by Claude-joseph Vernet, C. 1760, Dayton Art Institute by Claude-Joseph Vernet, 1760 — Wonder 76, Joy 70, Interest 70
William Brooke by Joseph Wright, 1760 — Sadness 51, Wonder 55, Nostalgia 50
Architectural decoration by Giovanni Battista Piranesi, 1761 — Sadness 55, Wonder 60, Nostalgia 50
Edward Weld by Pompeo Batoni, 1761 — Joy 50, Nostalgia 46, Interest 50
Mrs. Andrew Lindington by Joseph Wright, c.1761 - c.1762 — Joy 55, Interest 55, Wonder 45
Mrs.Samuel Quincy by John Singleton Copley, c.1761 — Anger 9, Sadness 20, Wonder 31
Portrait of John Ker, 3rd Duke of Roxburghe by Pompeo Batoni, 1761 — Interest 75, Wonder 70, Joy 70
A Portrait of James Bruce of Kinnaird, Explorer by Pompeo Batoni, 1762 — Interest 55, Joy 40, Anger 15
According to Cover Up the papal coat of arms, under a large cartouche garlanded with a dedication to Pope Clement XIII by Giovanni Battista Piranesi, 1762 — Sadness 70, Nostalgia 50, Anger 15
Cover Page. A large plaque embossed with rich ornaments bearing the inscription: Lapides Capitoline Fasti sive consulares Triumphalesq Romanorum seasoned ab Urbe even unto Tiberium Caesarem. by Giovanni Battista Piranesi, 1762 — Nostalgia 90, Sadness 80, Anger 64
La Vertueuse Athénienne by Joseph-Marie Vien, 1762 — Wonder 60, Interest 64, Joy 55
Lydia Lynde by John Singleton Copley, c.1762 - c.1764 — Anger 8, Sadness 19, Joy 26
Portrait of a Gentleman by Pompeo Batoni, 1762 — Joy 50, Nostalgia 45, Interest 55

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