Giovanni Battista Piranesi

Ariadne's Gallery holds 1,155 works by Giovanni Battista Piranesi, made between 1742 and 1778. Most belong to Neoclassicism. The most common genres are design, cityscape and sketch and study. Compared with the rest of the collection, these works most often evoke anger and sadness.

Emotional profile

Sadness: 41 (collection average 34)
Joy: 34 (collection average 46)
Tension: 49 (collection average 48)
Anger: 30 (collection average 23)
Nostalgia: 49 (collection average 47)
Wonder: 54 (collection average 48)
Interest: 60 (collection average 57)

Styles

Neoclassicism (3,212)

Artworks (200 of 1,155)

Burial chamber invented and designed in accordance with the custom and the ancient Roman emperors magnificence, 1742 — Wonder 70, Nostalgia 60, Sadness 45
Ancient temple invented and designed in the manner of those that were manufactured in honor of the goddess Vesta (recorded in 1743), 1743 — Anger 59, Sadness 70, Nostalgia 75
Arch of Augustus, manufactured by Rimini, 1747 - 1748 — Wonder 65, Nostalgia 60, Sadness 40
A marble plaque with the inscription: Roman Antiquities outside of Rome, drawn and engraved by Venetian architect Giambattista Piranesi, Part Two, c.1748 — Tension 81, Sadness 55, Anger 40
Amphitheater of Pula in Istria near the sea, 1748 — Wonder 65, Joy 65, Interest 70
Amphitheatre of Verona, c.1748 — Wonder 56, Joy 55, Interest 60
Arch of Constantine in Rome, 1748 — Wonder 70, Nostalgia 60, Sadness 45
Arch of Drusus and the door of St Sebastian in Rome, 1748 — Wonder 65, Sadness 50, Nostalgia 55
Arch of Pula in Istria near the port, 1748 — Wonder 65, Nostalgia 60, Sadness 45
Arch of Titus in Rome, 1748 — Wonder 70, Nostalgia 60, Sadness 45
Arco de Tito, 1748 — Joy 82, Interest 79, Wonder 72
Coliseum and Flavian`s Amphitheatre in Rome, c.1748 — Wonder 75, Joy 70, Anger 45
The Round Tower, plate III from `Carceri d`Invenzione`, 1749 — Sadness 72, Tension 55, Nostalgia 53
Ancient altar, with other ruins, c.1750 — Sadness 60, Nostalgia 70, Tension 50
Ancient mausoleum erected to the ashes of a Roman Emperor, c.1750 — Anger 69, Sadness 80, Tension 85
Antenna dark prison, c.1750 — Anger 80, Sadness 85, Tension 91
Arch of Septimius Severus, c.1750 - c.1759 — Wonder 65, Sadness 50, Nostalgia 55
Arco di Settimio Severo, c.1750 - c.1759 — Wonder 65, Interest 60, Joy 49
Bridge with magnificent balconies and arches erected by a Roman Emperor, c.1750 — Wonder 80, Joy 75, Nostalgia 70
Column group holding two arcs of a large courtyard with fountains and stairs, c.1750 — Anger 50, Sadness 60, Nostalgia 65
Colonna Antonina, 1751 — Anger 56, Sadness 65, Nostalgia 70
The Roman antiquities, t. 1, Plate I., 1756 — Anger 40, Nostalgia 60, Sadness 40
The Roman antiquities, t. 1, Plate II. Map of ancient Rome and Forma Urbis., 1756 — Anger 45, Nostalgia 65, Sadness 45
The Roman antiquities, t. 1, Plate III. Map of ancient Rome and Forma Urbis., 1756 — Anger 49, Nostalgia 71, Sadness 50
The Roman antiquities, t. 1, Plate IV. Map of ancient Rome and Forma Urbis., 1756 — Anger 48, Nostalgia 68, Sadness 51
The Roman antiquities, t. 1, Plate IX. Aurelian Walls., 1756 — Wonder 65, Interest 70, Joy 56
The Roman antiquities, t. 1, Plate V. Map of ancient Rome and Forma Urbis., 1756 — Anger 36, Nostalgia 55, Sadness 35
The Roman antiquities, t. 1, Plate VIII. Aurelian Walls., 1756 — Anger 42, Nostalgia 62, Sadness 39
The Roman antiquities, t. 1, Plate VIII. Aurelian Walls., 1756 — Anger 41, Nostalgia 62, Tension 52
The Roman antiquities, t. 1, Plate X. Aurelian Walls and Amphitheatrum Castrense., 1756 — Wonder 65, Interest 70, Nostalgia 55
The Roman antiquities, t. 1, Plate XI. Aurelian Wall : Muro Torto., 1756 — Anger 34, Nostalgia 55, Sadness 35
The Roman antiquities, t. 1, Plate XI. Porta Tiburtina., 1756 — Anger 35, Nostalgia 55, Sadness 36
The Roman antiquities, t. 1, Plate XI. Urban Walls., 1756 — Anger 45, Nostalgia 65, Tension 55
The Roman antiquities, t. 1, Plate XII. Aqua Alsietina., 1756 — Anger 50, Nostalgia 70, Sadness 50
The Roman antiquities, t. 1, Plate XII. Aqua Alsietina., 1756 — Anger 50, Nostalgia 70, Sadness 50
The Roman antiquities, t. 1, Plate XIII, 1756 — Interest 71, Wonder 65, Joy 54
The Roman antiquities, t. 1, Plate XIII. Column of Marcus Aurelius., 1756 — Wonder 65, Interest 70, Joy 55
The Roman antiquities, t. 1, Plate XIV, 1756 — Anger 35, Nostalgia 55, Sadness 35
The Roman antiquities, t. 1, Plate XIV. Pantheon., 1756 — Wonder 65, Interest 70, Joy 55
The Roman antiquities, t. 1, Plate XIV. Pantheon., 1756 — Wonder 65, Interest 70, Joy 55
The Roman antiquities, t. 1, Plate XIX, 1756 — Anger 35, Nostalgia 55, Sadness 35
The Roman antiquities, t. 1, Plate XIX. Duct of Caracalla., 1756 — Anger 44, Nostalgia 65, Tension 55
The Roman antiquities, t. 1, Plate XL, 1756 — Anger 50, Nostalgia 70, Sadness 50
The Roman antiquities, t. 1, Plate XLI. The Nymphaeum of Nero, the Stadium, the `Odeo, and the Temples of the people Flavia, manufactured by Domitian, 1756 — Wonder 65, Interest 70, Joy 55
The Roman antiquities, t. 1, Plate XLII. Plan of the Baths of Diocletian, 1756 — Anger 35, Nostalgia 55, Sadness 35
The Roman antiquities, t. 1, Plate XLII. Plan of the Baths of Diocletian, 1756 — Anger 35, Nostalgia 55, Sadness 35
The Roman antiquities, t. 1, Plate XLIII. Plan of the ancient Roman Forum, 1756 — Anger 45, Nostalgia 65, Tension 55
The Roman antiquities, t. 1, Plate XLIV. Plan of Mount Capitoline and its fortress; Perspective of the two horns or stones that stood in the sides of the Capitoline, 1756 — Anger 35, Nostalgia 55, Sadness 36
The Roman antiquities, t. 1, Plate XLV. Plan of upper floor of the Caesars Palace de `d` home `s believed Augustus (Drawing and inc. By Francesco Piranesi), 1756 — Wonder 66, Interest 70, Joy 54
The Roman antiquities, t. 1, Plate XLVI. Plan of the lower part of the `Palace of the Caesars believed the Baths Palatine (Drawing and inc. By Francesco Piranesi), 1756 — Wonder 65, Interest 70, Joy 55
The Roman antiquities, t. 1, Plate XVI, 1756 — Anger 35, Nostalgia 55, Sadness 35
The Roman antiquities, t. 1, Plate XVII. Aqua Claudia., 1756 — Wonder 65, Interest 69, Joy 55
The Roman antiquities, t. 1, Plate XVII. Aqua Claudia., 1756 — Interest 71, Wonder 64, Joy 55
The Roman antiquities, t. 1, Plate XVIII. Tomb near Porta San Sebastiano., 1756 — Anger 45, Nostalgia 64, Tension 55
The Roman antiquities, t. 1, Plate XX. Casa dei Crescenzi., 1756 — Anger 35, Nostalgia 56, Sadness 35
The Roman antiquities, t. 1, Plate XX. Ponte Rotto., 1756 — Anger 35, Nostalgia 55, Sadness 35
The Roman antiquities, t. 1, Plate XX. Portico of Marcus Aemilius Lepidus and P. Aemilius Paulus., 1756 — Anger 35, Nostalgia 55, Sadness 35
The Roman antiquities, t. 1, Plate XXI. Arch of Janus., 1756 — Anger 45, Nostalgia 65, Tension 55
The Roman antiquities, t. 1, Plate XXII. Cloaca Maxima., 1756 — Anger 45, Nostalgia 65, Tension 55
The Roman antiquities, t. 1, Plate XXII. Temple of Cybele., 1756 — Anger 45, Nostalgia 65, Tension 55
The Roman antiquities, t. 1, Plate XXIII. Aventine Hill., 1756 — Wonder 65, Interest 70, Joy 55
The Roman antiquities, t. 1, Plate XXIII. Aventine Hill., 1756 — Wonder 65, Interest 69, Joy 56
The Roman antiquities, t. 1, Plate XXIV. Celio o Oppio. The Seven Halls. Baths of Trajan., 1756 — Anger 36, Nostalgia 54, Sadness 34
The Roman antiquities, t. 1, Plate XXIV. Nero`s aqueduct., 1756 — Anger 35, Nostalgia 55, Sadness 35
The Roman antiquities, t. 1, Plate XXIX. Trajan`s Column., 1756 — Wonder 65, Interest 70, Joy 55
The Roman antiquities, t. 1, Plate XXIX. Trajan`s Market., 1756 — Wonder 65, Interest 70, Joy 55
The Roman antiquities, t. 1, Plate XXV. Nero`s aqueduct., 1756 — Wonder 65, Interest 70, Joy 55
The Roman antiquities, t. 1, Plate XXV. Santo Stefano Rotondo., 1756 — Sadness 70, Tension 61, Anger 30
The Roman antiquities, t. 1, Plate XXVI. Aqua Julia., 1756 — Sadness 65, Tension 55, Anger 25
The Roman antiquities, t. 1, Plate XXVI. Arch of Gallienus., 1756 — Sadness 60, Tension 50, Anger 20
The Roman antiquities, t. 1, Plate XXVII. "Baths of Titus" (really the Baths of Traianus)., 1756 — Sadness 55, Tension 45, Anger 15
The Roman antiquities, t. 1, Plate XXVII. The Seven Halls., 1756 — Sadness 50, Tension 40, Anger 11
The Roman antiquities, t. 1, Plate XXVIII. "Baths of Titus" (really the Baths of Traianus)., 1756 — Sadness 52, Tension 42, Anger 12
The Roman antiquities, t. 1, Plate XXVIII. Baths of Diocletian., 1756 — Sadness 59, Tension 48, Anger 18
The Roman antiquities, t. 1, Plate XXX. Forum Nervae., 1756 — Sadness 45, Wonder 45, Joy 35
The Roman antiquities, t. 1, Plate XXX. Forum Nervae., 1756 — Sadness 48, Wonder 40, Tension 38
The Roman antiquities, t. 1, Plate XXXI. Arch of Septimius Severus., 1756 — Sadness 50, Tension 40, Anger 12
The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina., 1756 — Interest 65, Joy 55, Wonder 54
The Roman antiquities, t. 1, Plate XXXII. Ruins of the pronaos of the temple of Jupiter the Thunderer., 1756 — Anger 45, Sadness 45, Tension 56
The Roman antiquities, t. 1, Plate XXXIII. Ruins of the temple of Castor and Pollux., 1756 — Anger 45, Sadness 45, Tension 55
The Roman antiquities, t. 1, Plate XXXIII. Veduta with ruins of Nero`s Golden House., 1756 — Anger 50, Sadness 50, Tension 60
The Roman antiquities, t. 1, Plate XXXIV. Veduta with Arch of Titus., 1756 — Anger 50, Sadness 50, Tension 60
The Roman antiquities, t. 1, Plate XXXIX, 1756 — Anger 50, Sadness 50, Tension 60
The Roman antiquities, t. 1, Plate XXXV, 1756 — Anger 50, Sadness 50, Tension 60
The Roman antiquities, t. 1, Plate XXXVI, 1756 — Anger 50, Sadness 51, Tension 60
The Roman antiquities, t. 1, Plate XXXVI. Veduta with ruins of the Peristyle House of Nero., 1756 — Anger 50, Sadness 50, Tension 60
The Roman antiquities, t. 1, Plate XXXVII. View of Flavian Amphitheatre and the Colosseum., 1756 — Sadness 60, Nostalgia 70, Wonder 65
The Roman antiquities, t. 1, Plate XXXVIII, 1756 — Sadness 58, Nostalgia 68, Wonder 63
The Roman antiquities, t. 1, Plate XXXVIII, 1756 — Sadness 57, Nostalgia 66, Wonder 60
The Roman antiquities, t. 1, Plate XXXVIII. Plate of topography of Rome., 1756 — Sadness 60, Nostalgia 69, Wonder 64
The Roman antiquities, t. 2, Plate IV. Plan and elevation of the `surplus of wall in the tomb of C. Poblicio at the foot of the Capitol in a place called Macel de `Corvi., 1756 — Nostalgia 66, Sadness 55, Wonder 60
The Roman antiquities, t. 2, Plate IX. Plan of the burial chambers of `Liberti, and Family L. Arrunzio., 1756 — Nostalgia 68, Sadness 55, Wonder 62
The Roman antiquities, t. 2, Plate V, 1756 — Sadness 56, Nostalgia 66, Wonder 62
The Roman antiquities, t. 2, Plate V, 1756 — Sadness 55, Nostalgia 65, Wonder 61
The Roman antiquities, t. 2, Plate VI. Following the above table., 1756 — Sadness 54, Nostalgia 64, Wonder 60
The Roman antiquities, t. 2, Plate VII. Plan, cracked and facade of a tomb outside Porta S. Sebastian on the Via Appia in the Hamlet of S. Maria Nuova., 1756 — Nostalgia 64, Sadness 53, Wonder 58
The Roman antiquities, t. 2, Plate VIII. Entry of the burial chamber of L. Liberti and Family Arrunzio., 1756 — Sadness 54, Nostalgia 64, Wonder 59
The Roman antiquities, t. 2, Plate XI. View of another part of burial chamber of L. Arrunzio, 1756 — Sadness 53, Nostalgia 63, Wonder 58
The Roman antiquities, t. 2, Plate XII. Prospectus and Profile of a tomb of the previous rooms, 1756 — Sadness 52, Nostalgia 62, Wonder 57
The Roman antiquities, t. 2, Plate XIII. Ornaments in stucco, existing in the Time of the burial chamber of L. Arrunzio., 1756 — Sadness 52, Nostalgia 61, Wonder 56
The Roman antiquities, t. 2, Plate XIV. Inscriptions and fragments of the burial chambers of the Family Arrunzia (figures carved from Barbault)., 1756 — Sadness 50, Nostalgia 60, Wonder 55
The Roman antiquities, t. 2, Plate XL. View of a tomb oldest existing bridge in a vineyard near Lugano., 1756 — Sadness 55, Nostalgia 65, Wonder 60
The Roman antiquities, t. 2, Plate XLI. External view of the three rooms before burial., 1756 — Sadness 54, Nostalgia 64, Wonder 59
The Roman antiquities, t. 2, Plate XLII. Interior view of one of the three rooms before burial., 1756 — Sadness 53, Nostalgia 63, Wonder 58
The Roman antiquities, t. 2, Plate XLIII. Plan and elevation of a burial chamber., 1756 — Sadness 52, Nostalgia 61, Wonder 57
The Roman antiquities, t. 2, Plate XV. Inscriptions and fragments of the burial chambers of the Family Arrunzia (figures carved from Barbault)., 1756 — Interest 70, Wonder 60, Anger 15
The Roman antiquities, t. 2, Plate XVII. Burial Chamber just steps away from the family of L. Arrunzio., 1756 — Interest 65, Wonder 55, Sadness 25
The Roman antiquities, t. 2, Plate XVIII. Inscriptions and fragments of the burial chamber above., 1756 — Interest 60, Wonder 50, Sadness 25
The Roman antiquities, t. 2, Plate XVIX. Inscriptions and fragments of the burial chamber above., 1756 — Interest 61, Wonder 50, Sadness 25
The Roman antiquities, t. 2, Plate XX. Inscriptions and fragments of the burial chamber above., 1756 — Interest 60, Wonder 50, Sadness 24
The Roman antiquities, t. 2, Plate XXI. Urn of marble found in the burial chamber above (figures carved from Barbault)., 1756 — Interest 70, Wonder 60, Anger 14
The Roman antiquities, t. 2, Plate XXII. Plan of the Mausoleum of Constance., 1756 — Interest 75, Wonder 65, Tension 41
The Roman antiquities, t. 2, Plate XXIII. Remains of the great building burial added to the Mausoleum of Constance., 1756 — Interest 70, Wonder 61, Anger 10
The Roman antiquities, t. 2, Plate XXIV. Columns with their capitals, architrave, frieze and cornice existing under the arches inside the Mausoleum of Constance., 1756 — Interest 70, Wonder 60, Anger 10
The Roman antiquities, t. 2, Plate XXIX. View of the Tomb of the Scipios believed outside Porta S. Sebastiano., 1756 — Interest 65, Wonder 55, Sadness 25
The Roman antiquities, t. 2, Plate XXV. Large urn of porphyry, within which is believed to have been placed the body of Constance., 1756 — Interest 70, Wonder 60, Anger 10
The Roman antiquities, t. 2, Plate XXVI. Previous cross-section of large urn and other details., 1756 — Interest 65, Wonder 56, Sadness 25
The Roman antiquities, t. 2, Plate XXVII. Plan of a factory tomb outside Porta Maggiore in a vineyard next to Tower Pignataro., 1756 — Interest 65, Wonder 54, Sadness 25
The Roman antiquities, t. 2, Plate XXX. Plan and elevation of a factory located not far from the burial Tower Slave., 1756 — Interest 65, Wonder 55, Sadness 25
The Roman antiquities, t. 2, Plate XXXI. Fragment of stucco gouged by the time of Nicchioni is one of the interior of the factory before burial., 1756 — Interest 65, Wonder 55, Sadness 25
The Roman antiquities, t. 2, Plate XXXII. Plan and external view of the tomb of Alexander Severus located outside Porta S. John about a mile from the aqueducts., 1756 — Interest 70, Wonder 60, Anger 15
The Roman antiquities, t. 2, Plate XXXIII. Insight into the tomb of Alexander Severus., 1756 — Interest 70, Wonder 60, Anger 16
The Roman antiquities, t. 2, Plate XXXIV. Grand marble urn believed to Alexander Severus and his mother Julia Mamea (figures carved from Barbault)., 1756 — Interest 70, Wonder 59, Anger 14
The Roman antiquities, t. 2, Plate XXXIX. Plan and section of the three rooms of the family of Augustus believed burial., 1756 — Interest 60, Wonder 50, Sadness 25
The Roman antiquities, t. 2, Plate XXXV. Rear of the previous special urn., 1756 — Sadness 35, Interest 55, Wonder 45
The Roman antiquities, t. 2, Plate XXXVI. Hips and split of the urn itself (figures carved from Barbault)., 1756 — Sadness 36, Interest 55, Wonder 46
The Roman antiquities, t. 2, Plate XXXVII. Plan and elevation of a tomb located on the ancient Via Appia near the Vineyard Buonamici., 1756 — Interest 60, Wonder 50, Sadness 24
The Roman antiquities, t. 2, Plate XXXVIII. Cutaway view of the tomb before., 1756 — Sadness 35, Interest 55, Wonder 45
Arco de Tito, 1760 — Joy 80, Interest 78, Wonder 70
Architectural decoration, 1761 — Sadness 55, Wonder 60, Nostalgia 50
According to Cover Up the papal coat of arms, under a large cartouche garlanded with a dedication to Pope Clement XIII, 1762 — Sadness 70, Nostalgia 50, Anger 15
Cover Page. A large plaque embossed with rich ornaments bearing the inscription: Lapides Capitoline Fasti sive consulares Triumphalesq Romanorum seasoned ab Urbe even unto Tiberium Caesarem., 1762 — Nostalgia 90, Sadness 80, Anger 64
Title page: Collection of several drawings engraved after Barbieri da Cento (known as Guercino) engraved on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the ar, 1764 — Wonder 75, Interest 70, Joy 60
Architectural decoration, 1765 — Sadness 55, Wonder 61, Nostalgia 50
Architectural decoration, 1765 — Sadness 55, Wonder 60, Nostalgia 50
A five-legged table, wall Matterhorn, surmounted by a clock between two decorative vases, two candelabra wall, two urns, 1769 — Tension 75, Sadness 55, Anger 36
A tripod stand and a former, c.1770 — Tension 85, Sadness 65, Anger 45
Ancient marble urn vase with dogs and an owl flying buttresses, ribbed, c.1770 - c.1778 — Anger 65, Tension 75, Wonder 70
Ancient marble vase decorated with twisted stems of ivy, birds and scenic masks scherzanti, c.1770 — Anger 59, Tension 80, Wonder 76
A tripod and two vessels, c.1778 — Tension 81, Sadness 60, Anger 40
Ancient marble urn adorned with various symbols alluding to human life, c.1778 — Sadness 50, Nostalgia 60, Anger 31
Another vessel supported by tripod, 1778 — Sadness 35, Joy 44, Interest 55
Another view in perspective of the previous candlestick, 1778 — Interest 65, Wonder 56, Joy 55
Another view in perspective of the same Tripod, 1778 — Interest 65, Joy 55, Wonder 55
Another view of the same, 1778 — Sadness 34, Joy 46, Interest 55
Another View of the Temple in the city of Paestum, believed dedicated to Juno, 1778 — Wonder 56, Interest 61, Joy 50
Bas-relief carved in a marble vase in the existing Palace of Villa Borghese, representing a bacchanal, 1778 — Wonder 90, Nostalgia 80, Joy 85
Candlestick reconstructed from fragments already in the ancient Palazzo Salviati Lungara, 1778 — Sadness 70, Anger 50, Nostalgia 65
Cover Page. Above the eagle of the Holy Apostles Roman portico at the bottom of the vases in the Vatican Library Collection Ghezzi On a slab of marble, the inscription in relief., 1778 — Anger 65, Nostalgia 86, Sadness 75
A capital and a base (inc F Piranesi) — Interest 80, Wonder 75, Joy 70
A chest of drawers, a side of the sedan, a decorative vase and various ornamental motifs — Wonder 65, Interest 69, Joy 55
A chimney top, and bottom wall two tables, the inf on a sheet of paper — Wonder 60, Interest 64, Tension 55
A family in prayer — Tension 80, Sadness 60, Anger 40
A frieze with architrave, column, two capitals, a bed, a shelf and two terracotta — Tension 70, Wonder 65, Interest 70
A Sacrifice — Tension 86, Sadness 60, Anger 45
A table on the wall with two Satyrs, a pndola, two watches, two vases, candlesticks wall and table ornaments — Tension 75, Sadness 55, Anger 34
A table with the vessel wall rostrata, four clocks, two decorative vases, ornaments — Tension 75, Sadness 56, Anger 34
A view of the progress of the Water Castle Julia from which the trophies were removed (this board brings the n 47 and is also part of Volume XVI) — Tension 70, Wonder 65, Interest 70
Adoration of the Magi — Joy 85, Interest 81, Wonder 75
Aeolus seated on clouds — Wonder 85, Tension 80, Anger 50
Aforesaid Section of the house — Sadness 25, Anger 10, Joy 21
Altar and sacred furnishings of the Egyptian Temple — Sadness 35, Joy 40, Anger 10
Altar dedicated to Apollo found in the Villa of Pompey the Great in Albano — Sadness 35, Joy 45, Anger 14
Altrorilievo other side of the pedestal (two branches) — Anger 10, Sadness 20, Joy 25
Amazone — Anger 60, Tension 80, Wonder 70
Amphitrite — Wonder 80, Anger 55, Tension 70
Ancient marble Altar in the palace of the Farnesina — Sadness 45, Nostalgia 41, Interest 50
Ancient marble bas-relief in the Museo Borgia existing Velletri (inc F Piranesi) — Sadness 55, Nostalgia 65, Tension 61
Ancient marble urn in the garden of the Quirinal — Sadness 45, Nostalgia 56, Tension 51
Ancient monument topped by Cornucopia`s head Boar in the Vineyard Cenci Capo di Bove — Anger 75, Sadness 85, Tension 90
Ancient representing a plastic chariot circus at the turn of the destinations (inc F Piranesi) — Anger 71, Sadness 79, Tension 85
Andrew and two other Apostles, half-length, three cupids corner sketched by Guercino — Wonder 80, Interest 75, Joy 70
Andromeda on the rock by Guercino — Wonder 75, Joy 70, Nostalgia 66
Another dancer, taken from a painting of ancient Pompeii — Anger 55, Tension 75, Wonder 70
Another perspective view and details of the Doric Temple — Interest 65, Joy 55, Wonder 55
Another view of the above and the column of granite pedestal — Sadness 36, Joy 45, Interest 55
Another view of the same side of the Trophy — Anger 55, Tension 71, Wonder 65
Another view of the same tripod — Anger 55, Tension 70, Wonder 64
Antinous — Anger 75, Sadness 80, Tension 85
Antique vase of basalt found on the Quirinal in 1772 — Anger 70, Sadness 75, Tension 80
Antique vase of clay, which is seen in the collection designed by Pirro Ligorio in the Vatican Library — Anger 64, Sadness 70, Tension 75
Antique vase of marble (Villa Albani) — Anger 60, Sadness 65, Tension 70
Antique vase of marble decorated with festoons and various plots of funds — Anger 56, Sadness 60, Tension 70
Antique vase of marble decorated with ox skulls and garlands — Anger 60, Sadness 65, Tension 75
Antique vase of marble great deal in the Palace of the Villa Borghese — Anger 64, Sadness 70, Tension 81
Antique vase of marble in the Villa Valenti at Porta Pia — Anger 60, Sadness 65, Tension 75
Antique vase of marble representing the feats of Hercules, with the base representing a coffin — Anger 79, Sadness 85, Tension 91
Antique vase of marble with kneeling figures drinking from hippogryphs, with chandeliers and a pedestal corner — Anger 75, Sadness 79, Tension 85
Antique vase on a marble cinerary urn — Anger 70, Sadness 75, Tension 80
Apollo — Joy 80, Interest 75, Wonder 70
Apollo and Hyacinth — Joy 75, Wonder 66, Interest 69
Apollo and Silenus — Joy 70, Wonder 61, Interest 65
Apollo and Silenus — Wonder 70, Interest 75, Tension 64
Apollo Belvedere — Wonder 70, Sadness 51, Nostalgia 60
Apollo, the dart body — Wonder 65, Sadness 45, Nostalgia 55
Apparition of the Angels to Abraham, from L Carracci — Wonder 76, Nostalgia 71, Sadness 55
Aquarius and Libra — Wonder 70, Nostalgia 65, Sadness 50
Arch of Gallienus and the facade of the Church of St. Vito — Sadness 55, Wonder 60, Nostalgia 50
Arch of Septimius Severus — Wonder 65, Sadness 51, Nostalgia 55
Architectural decoration — Sadness 55, Wonder 60, Nostalgia 50

Giovanni Battista Piranesi

Emotional profile

Styles

Artworks (200 of 1,155)

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