The Roman antiquities, t. 2, Plate XLII. Interior view of one of the three rooms before burial.
- Artist
- Giovanni Battista Piranesi
- Date
- 1756 ; Italy
- Style
- Neoclassicism
- Genre
- Cityscape
"The Roman antiquities, t. 2, Plate XLII. Interior view of one of the three rooms before burial" is a detailed etching that captures an intimate interior scene from ancient Rome. The artwork exemplifies Neoclassicism with its precise lines and classical themes, evoking a sense of historical reverence. While primarily focused on the interior architecture, the piece subtly hints at a broader cityscape in the background, illustrating the cultural setting of the period. This work offers a compelling glimpse into everyday Roman life before burial, blending detailed craftsmanship with classical inspiration.
Related artworks
- The Roman antiquities, t. 2, Plate XLI. External view of the three rooms before burial. by Giovanni Battista Piranesi
- The Roman antiquities, t. 2, Plate VII. Plan, cracked and facade of a tomb outside Porta S. Sebastian on the Via Appia in the Hamlet of S. Maria Nuova. by Giovanni Battista Piranesi
- The Roman antiquities, t. 2, Plate XI. View of another part of burial chamber of L. Arrunzio by Giovanni Battista Piranesi
- The Roman antiquities, t. 2, Plate XLIII. Plan and elevation of a burial chamber. by Giovanni Battista Piranesi
- The Roman antiquities, t. 2, Plate LI. Registration of `Soldiers Praetorian guards. by Giovanni Battista Piranesi
- The Roman antiquities, t. 2, Plate LII. Registration of `Soldiers Praetorian guards. by Giovanni Battista Piranesi
- The Roman antiquities, t. 2, Plate VI. Following the above table. by Giovanni Battista Piranesi
- The Roman antiquities, t. 2, Plate VIII. Entry of the burial chamber of L. Liberti and Family Arrunzio. by Giovanni Battista Piranesi
- The Roman antiquities, t. 2, Plate XII. Prospectus and Profile of a tomb of the previous rooms by Giovanni Battista Piranesi
- The Roman antiquities, t. 2, Plate L. Inscriptions de `Praetorian soldiers, found in the Villa de `Five. by Giovanni Battista Piranesi