The Roman antiquities, t. 4, Plate V. Plan of the Mausoleum of Hadrian and Bridge St. Angel.
- Artist
- Giovanni Battista Piranesi
- Style
- Neoclassicism
- Genre
- Design
The painting titled "The Roman antiquities, t. 4, Plate V. Plan of the Mausoleum of Hadrian and Bridge St. Angel" showcases a detailed etching that highlights classical Roman architecture. The artwork emphasizes a precise design approach, reflecting neoclassical ideals with its focus on symmetry and grandeur. The plan of the Mausoleum of Hadrian and the iconic Bridge St. Angel encapsulates the fascination with ancient Roman Neoclassicism, blending historical accuracy with artistic interpretation. This piece exemplifies meticulous craftsmanship and an enduring appreciation for Roman antiquities.
Related artworks
- The Roman antiquities, t. 3, Plate XVI. Plan and section of the Mausoleum of S. Emperor Constantine`s mother Helena ta, on the Via Labicana. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XLIX. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate IX. Following the above table. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XV. Map of the Tiber Island and the two bridges that lead to it. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XLI. View of one of the sides of the front of the Portico d`Ottavia, its width and construction details. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate VII. Following the above table. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate LIII. Map of the menagerie of wild beasts made by Domitian. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XIII. Cross-section and construction details of Bridge St. Angel etc.. by Giovanni Battista Piranesi
- The Roman antiquities, t. 3, Plate XXVIII. Stones, sarcophagi and other objects found in burial chambers above. by Giovanni Battista Piranesi
- The Roman antiquities, t. 3, Plate XXIX. Fragments of sculptures and various objects found in burial chambers above. by Giovanni Battista Piranesi