The Roman antiquities, t. 4, Plate LII. Vista in large parts of the Temple of Fortuna Virile.
- Artist
- Giovanni Battista Piranesi
- Style
- Neoclassicism
- Genre
- Design
The painting titled 'The Roman antiquities, t. 4, Plate LII. Vista in large parts of the Temple of Fortuna Virile' exemplifies Neoclassicism through its careful and precise Etching technique, highlighting classical Roman architecture. The composition offers a detailed Design that captures the grandeur of the Temple of Fortuna Virile, emphasizing symmetry and harmony characteristic of the period. The artwork showcases the artist’s skill in rendering ancient ruins with clarity and reverence, reflecting a fascination with antiquity and the restoration of classical inspiration during the Neoclassical movement.
Related artworks
- The Roman antiquities, t. 4, Plate XLVIII. by Giovanni Battista Piranesi
- The Roman antiquities, t. 3, Plate XXXVIII. Plan of the rooms adjoining the burial chambers above. by Giovanni Battista Piranesi
- The Roman antiquities, t. 3, Plate XX. Plan, elevation and cross section of a tomb on the ancient Appian Way in the Vineyard Buonamici. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XLV. Temple of Juno in the Portico d`Ottavia. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XLIII. Vista of some of the great parts of the Portico d`Ottavia. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate VIII. Cutaway view of the Mausoleum of Hadrian and the Elio Bridge St. Angel. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate LI. Vista in large parts of the Temple of Fortuna Virile. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XIV. View of Bridge St. Angel, from the Castle towards the road of Banks. by Giovanni Battista Piranesi
- The Roman antiquities, t. 3, Plate XLVI. Inner wall of the Pyramid of Caius Cestius`s Room. by Giovanni Battista Piranesi
- The Roman antiquities, t. 3, Plate XXIII. Cutaway view of the previous burial chambers. by Giovanni Battista Piranesi