The Roman antiquities, t. 3, Plate XXX. Inscriptions, sarcophagi and other objects found in burial chambers earlier, etc..
- Artist
- Giovanni Battista Piranesi
- Style
- Neoclassicism
- Genre
- Design
The painting titled "The Roman antiquities, t. 3, Plate XXX. Inscriptions, sarcophagi and other objects found in burial chambers earlier, etc." captures a detailed scene inspired by ancient Roman burial sites. The artist employs a refined Etching technique to emphasize intricate details of sarcophagi, inscriptions, and funerary objects. This work exemplifies Neoclassicism in its careful attention to classical themes and harmonious Design. The composition offers a glimpse into historical archaeological finds, blending historical accuracy with artistic interpretation, and highlighting the significance of Roman cultural memory preserved through these ancient artifacts.
Related artworks
- The Roman antiquities, t. 4, Plate VI. Construction details of the Mausoleum of Hadrian and d`Elio Bridge St. Angelo and their foundations. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate LIV. Section of the menagerie of wild beasts made by Domitian. by Giovanni Battista Piranesi
- The Roman antiquities, t. 3, Plate XXVIII. Stones, sarcophagi and other objects found in burial chambers above. by Giovanni Battista Piranesi
- The Roman antiquities, t. 3, Plate XXIX. Fragments of sculptures and various objects found in burial chambers above. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XIII. Cross-section and construction details of Bridge St. Angel etc.. by Giovanni Battista Piranesi
- The Roman antiquities, t. 3, Plate XVII. Circumference of the earth and plant the previous exterior façade of the mausoleum. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate XLII. Vista of some of the great parts of the façade of the main entrance of the Portico d`Ottavia. by Giovanni Battista Piranesi
- The Roman antiquities, t. 4, Plate L. Vista of the menagerie of wild beasts made by Domitian to use the amphitheater. by Giovanni Battista Piranesi
- A Canal at St. Mammes by Francis Picabia
- Pompeian no. 1. Collection of borders from different edifices in Pompei by Owen Jones