The Roman antiquities, t. 3, Plate LV. The pincers of Vitruvius.
- Artist
- Giovanni Battista Piranesi
- Style
- Neoclassicism
- Genre
- Still life
"The Roman antiquities, t. 3, Plate LV. The pincers of Vitruvius" is a detailed etching that exemplifies the precision and elegance characteristic of Neoclassicism. The artwork blends elements of still life with classical Roman motifs, depicting ancient tools and architectural fragments with meticulous detail. Its balanced composition and emphasis on accurate depiction reflect the neoclassical admiration for classical antiquity. The piece captures both historical reverence and artistic finesse, making it a notable example of how etching techniques can evoke a sense of timelessness and scholarly interest in ancient Roman culture.
Related artworks
- The Roman antiquities, t. 2, Plate XXXVI. Hips and split of the urn itself (figures carved from Barbault). by Giovanni Battista Piranesi
- The Roman antiquities, t. 2, Plate XXXV. Rear of the previous special urn. by Giovanni Battista Piranesi
- The Roman antiquities, t. 2, Plate XXXVIII. Cutaway view of the tomb before. by Giovanni Battista Piranesi
- The Roman antiquities, t. 2, Plate XLVIII. Plan of some burial chambers discovered the year 1751 in the Villa of the five located outside Porta Salaria near Grotta Pallotta. by Giovanni Battista Piranesi
- The Roman antiquities, t. 2, Plate XLVI. Fragments of the burial chamber opposite the Church of St. Sebastian outside the walls (figures carved from Barbault). by Giovanni Battista Piranesi
- The Roman antiquities, t. 3, Plate XI. Membership of the Mausoleum of the Family in Ponte de Plauzij Lugano. by Giovanni Battista Piranesi
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- The Roman antiquities, t. 3, Plate V. Construction details of walls Entries Ustrine. by Giovanni Battista Piranesi
- The Roman antiquities, t. 2, Plate XXXIX. Plan and section of the three rooms of the family of Augustus believed burial. by Giovanni Battista Piranesi
- The Roman antiquities, t. 3, Plate III. Part of the ancient Appian Way about five miles from the Porta S. Sebastiano. by Giovanni Battista Piranesi