Study of self-portrait

Ferdinand Hodler's Study of Self-Portrait (1916) exemplifies his mastery as a Swiss painter known for his Symbolist and Art nouveau (modern) influences. Crafted with delicate pencil on paper, the artwork explores the genre of self-portrait, emphasizing introspection and personal expression. Hodler's style combines meticulous line work with a focus on form and symbolism, reflecting his interest in capturing inner truth and emotional depth. The work embodies qualities of early 20th-century modern art, blending detailed technique with a thematic focus on self-examination.