Study of self-portrait

Ferdinand Hodler’s 1916 work titled Study of self-portrait exemplifies his mastery within the Art nouveau (modern) movement. The piece captures introspective reflection through precise lines drawn on paper, likely executed with pencil. Hodler’s technique emphasizes symmetry and stylized form, hallmarks of his unique synthesis between realism and decorative abstraction. As a self-portrait, the work delves into personal identity and artistic self-examination, solidifying its place within the genre where the artist becomes both creator and subject, exploring inner character through skilled draftsmanship and modernist sensibilities.