Madame Charles Maurice De Talleyrand Périgord (1761–1835)
- Artist
- François Gérard
- Style
- Neoclassicism
- Genre
- Portrait
François Gérard's 'Madame Charles Maurice De Talleyrand Périgord (1761–1835)' exemplifies the elegance of Neoclassicism through a refined Portrait genre. Gérard, a master of 19th-century French portraiture, employs meticulous oil painting techniques to capture the sitter’s dignified presence and subtle expression. The work reflects the Neoclassical preference for clarity, order, and restrained emotion, emphasizing realistic likeness and noble grandeur. This portrait not only highlights Gérard’s technical skill but also underscores the era’s fascination with history, character, and societal status conveyed through sophisticated artistic style.
Related artworks
- Portrait of G. F. Reverdin by François Gérard
- Portrait of Louise-antoinette-scholastique Guéhéneuc, Madame La Maréchale Lannes, Duchesse De Montebello, with Her Children by François Gérard
- Daphnis et Chloé by François Gérard
- Madame Lecerf by François Gérard
- Cut Silhouette of Two Women Facing Right by Auguste Edouart
- Four in Snowdrifts by Józef Chełmoński
- Saturne pas rond by Yves Laloy
- A Just View of the English Stage by William Hogarth
- Woman with a Green and Beige Background by Willem de Kooning
- Madonna of the Orange Tree with St. Ludovic of Toulouse and St. Jerome by Cima da Conegliano