Breton Eve

'Breton Eve' by Eugène Henri Paul Gauguin is a striking example of Post-impressionism. The use of color and style is symbolic of the Synthesist movement, demonstrating Gauguin's propensity for experimental techniques. Gauguin’s subject, a figure usually drawn from the biblical Eve, embodies his representation of the primitive and exotic. In 'Breton Eve' he does not shy away from the nude form, employing careful use of watercolor and pastel on paper for his composition. This artwork showcases Gauguin's innovative approach to colour and form, which is distinct from the naturalistic depiction of light that characterized Impressionism.