Yale Centre For British Art (Yale University)
Ariadne's Gallery holds 58 works in the Yale Centre For British Art (Yale University) collection by 20 artists, most made between 1741 and 1897. The best represented artists are John Martin, George Stubbs and John Constable. The main styles are Romanticism, Rococo and Symbolism. Compared with the rest of Ariadne's Gallery, these works most often evoke anger.
Emotional profile
- Sadness: 33 (collection average 34)
- Joy: 46 (collection average 46)
- Tension: 46 (collection average 48)
- Anger: 26 (collection average 23)
- Nostalgia: 45 (collection average 47)
- Wonder: 47 (collection average 48)
- Interest: 55 (collection average 57)
Leading artists
- John Martin (27)
- George Stubbs (75)
- John Constable (110)
- John Frederick Herring Sr. (31)
- Joseph Wright (98)
- William Blake (111)
- Aubrey Beardsley (228)
- Thomas Gainsborough (179)
- Gwen John (41)
- J.M.W. Turner (209)
- John Singleton Copley (153)
- William Hogarth (111)
- Albert Joseph Moore (43)
- Benjamin West (73)
- Edward Burne-Jones (129)
- Joshua Reynolds (217)
- Walter Sickert (60)
Artworks
- Edward Pierce by Isaac Fuller, c.1670 — Anger 45, Sadness 55, Tension 65
- The Beggar's Opera by William Hogarth, 1729 — Anger 65, Sadness 75, Tension 79
- William Cavendish, Marquess of Hartington, Later 4th Duke of Devonshire by William Hogarth, 1741 — Wonder 70, Interest 75, Joy 60
- Mr. and Mrs. John Gravenor and their Daughters, Elizabeth and Ann by Thomas Gainsborough, c.1752 - 1754 — Nostalgia 59, Joy 51, Wonder 51
- Portrait of General Thomas Gage by John Singleton Copley, 1768 - 1769 — Interest 68, Nostalgia 36, Anger 10
- Miss Mary Hickey by Joshua Reynolds, 1770 — Sadness 65, Nostalgia 60, Tension 55
- Landscape with Cattle by Thomas Gainsborough, c.1773 — Joy 65, Wonder 59, Interest 65
- Pumpkin with a Stable Lad by George Stubbs, 1774 — Joy 55, Wonder 55, Nostalgia 50
- Sleeping Leopard by George Stubbs, 1777 — Tension 80, Anger 50, Sadness 61
- A Grotto in the Gulf of Salerno, Sunset by Joseph Wright, c.1780 - c.1781 — Anger 82, Tension 88, Sadness 43
- Park Phaeton with a Pair of Cream Pontes in Charge of a Stable Lad with a Dog by George Stubbs, 1780 - 1785 — Joy 70, Wonder 60, Interest 65
- View in Matlock Dale, Looking Towards Black Rock Escarpment by Joseph Wright, c.1780 - c.1785 — Joy 70, Wonder 60, Interest 65
- Fen Bridge Lane by Thomas Gainsborough, c.1782 — Anger 11, Joy 28, Sadness 18
- Richard Heber by John Singleton Copley, 1782 — Sadness 21, Anger 10, Joy 24
- Thomas Gisborne and His Wife Mary by Joseph Wright, 1786 — Joy 50, Tension 50, Wonder 50
- Lake Albano by Joseph Wright, c.1790 - c.1792 — Anger 56, Interest 68, Tension 60
- A white haired man in a long, pale robe who flees from us with his hands raised by William Blake, 1794 — Anger 9, Sadness 18, Wonder 33
- Baronet by George Stubbs, 1794 — Anger 11, Sadness 21, Wonder 32
- Freeman, the Earl of Clarendon's Gamekeeper, With a Dying Doe and Hound by George Stubbs, 1800 — Tension 70, Sadness 55, Nostalgia 65
- A Lane near Dedham by John Constable, 1802 — Anger 8, Sadness 18, Wonder 32
- Los by William Blake, 1804 - 1820 — Anger 12, Sadness 20, Joy 29
- Los Entering the Grave by William Blake, 1804 - 1820 — Sadness 19, Anger 8, Wonder 31
- The Descent Of Christ by William Blake, 1804 - 1820 — Sadness 22, Anger 11, Wonder 31
- John Eardley Wilmot by Benjamin West, 1812 — Joy 55, Nostalgia 50, Interest 55
- Hyde Park by John Martin, 1815 — Nostalgia 80, Joy 70, Wonder 55
- Kensington Gardens by John Martin, 1815 — Nostalgia 81, Joy 85, Wonder 61
- Landscape, Possibly the Isle of Wight or Richmond Hill by John Martin, 1815 — Nostalgia 71, Anger 45, Joy 65
- The Bard by John Martin, 1817 — Nostalgia 86, Joy 75, Interest 76
- The Young Waltonians by John Constable, c.1819 - c.1825 — Anger 12, Sadness 19, Joy 26
- A Clydesdale Stallion by John Frederick Herring Sr., 1820 — Joy 75, Nostalgia 70, Wonder 70
- Belshazzar's Feast by John Martin, 1820 — Anger 80, Sadness 80, Tension 90
- Landscape with a Castle by John Martin, 1820 — Nostalgia 75, Anger 40, Joy 60
- St. Goarhausen on the Rhine Between Koblenz and Mainz by John Frederick Lewis, 1827 — Joy 60, Wonder 45, Nostalgia 40
- The Valley of Lutscheuen by John Frederick Lewis, 1827 — Joy 75, Wonder 55, Interest 59
- The Via Mala by John Frederick Lewis, 1827 — Anger 35, Joy 50, Sadness 30
- Hadleigh Castle by John Constable, 1829 — Sadness 22, Anger 9, Joy 24
- Highland Hospitality by John Frederick Lewis, 1832 — Joy 80, Wonder 65, Interest 70
- The Deluge by John Martin, 1834 — Anger 76, Sadness 85, Tension 90
- Grey carriage horses in the coachyard at Putteridge Bury, Hertfordshire by John Frederick Herring Sr., 1838 — Wonder 66, Interest 70, Joy 65
- Calvary by John Martin, 1840 — Nostalgia 69, Anger 45, Wonder 60
- Joshua Commanding the Sun to Stand Still by John Martin, 1840 — Nostalgia 85, Joy 75, Wonder 65
- The Royal Mail Coach on the Road by John Frederick Herring Sr., 1841 — Wonder 65, Interest 70, Joy 65
- Harvest by John Frederick Herring Sr., 1857 — Wonder 56, Nostalgia 55, Joy 55
- Eliza Eastlake by Edward Poynter, 1864 — Interest 75, Joy 70, Wonder 65
- A Musician by Albert Joseph Moore, c.1867 — Joy 60, Interest 65, Nostalgia 55
- Cupid and Psyche by Edward Burne-Jones, c.1870 — Interest 80, Wonder 75, Joy 70
- Frontispiece for 'The Yellow Book: An Illustrated Quarterly' by Aubrey Beardsley, 1894 — Sadness 78, Tension 88, Anger 58
- A large Christmas Card by Aubrey Beardsley, 1895 — Anger 65, Tension 70, Wonder 65
- The Lady at the Dressing Table by Aubrey Beardsley, c.1897 — Wonder 85, Interest 80, Anger 45
- The Camden Town Murder, or What Shall We Do For the Rent? by Walter Sickert, c.1908 - c.1909 — Sadness 80, Nostalgia 85, Tension 75
- Girl Holding a Rose by Gwen John, c.1915 - c.1925 — Anger 50, Sadness 55, Tension 59
- Hay Makers by George Stubbs — Joy 55, Tension 51, Anger 25
- Somerset House Terrace and the Thames A View from the North End of Waterloo Bridge with St. Paul's Cathedral in the distance by John Constable — Anger 12, Sadness 20, Wonder 30
- Study of a Fowl, Lateral View, with skin and underlying fascial layers removed, from 'A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl' by George Stubbs — Tension 65, Sadness 40, Joy 50
- Study of the Human Figure, Anterior View, from 'A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl' by George Stubbs — Anger 9, Joy 29, Sadness 18
- The Grand Canal, Venice, engraved by William Miller by J.M.W. Turner — Joy 74, Interest 70, Nostalgia 55
- The Pilgrim by Gwen John — Sadness 75, Anger 60, Tension 70
- Weymouth by J.M.W. Turner — Wonder 65, Interest 71, Joy 55