Coordinative Thinking on the Square and Rectangle; Per, IV

'Alfred Jensen's 1974 work, Coordinative Thinking on the Square and Rectangle; Per, IV, exemplifies his innovative approach to Abstract art through a fusion of geometric forms and precise technique. Jensen, known for integrating mathematical concepts into his compositions, employs the structured motifs of squares and rectangles to explore abstract expressionism in a methodical way. The title suggests an emphasis on coordinative thinking, emphasizing the relationship between shapes and their spatial arrangement. Using meticulous planning and symbolic references, Jensen’s piece reflects an intellectual engagement with technique and visual harmony within the genre of abstract art.