Still Life with Lamp

"Still Life with Lamp" exemplifies Crystal Cubism, a refined phase of Cubism characterized by emphasizing flat surface activity and large overlapping geometric planes, particularly between 1915 and 1916. The painting's structure is dominated by a strong geometric framework rooted in abstract forms, which guides the composition and visual effect. While rooted in the principles of Still life paintings, it also subtly reflects influences of Fauvism through bold, simplified color use. Overall, the work showcases a sophisticated reimagining of traditional motifs through a geometrically controlled, surface-oriented aesthetic.