Head of Dylan Thomas

"Head of Dylan Thomas" by Eileen Agar (1960) exemplifies her innovative approach within the Surrealism movement. Known for her experimental techniques, Agar creates a compelling portrait that employs Acrylic paints on a board surface, showcasing her mastery of mixed media. The work reflects her fascination with the subconscious and dreamlike imagery, characteristic of her distinctive style. The title indicates a focus on a presumed likeness, but Agar’s Surrealist sensibility invites viewers to explore deeper symbolic and abstract layers beyond mere representation.