Madonna and Child
- Artist
- Domenico Veneziano
- Date
- 1435 - 1437
- Style
- Early renaissance
- Genre
- Religious painting
- Location
- Berenson Collection
The Early renaissance period in Florence marked a shift towards a new figurative language, emphasizing naturalism and human emotion, evident in the religious paintings like "Madonna and Child." This artwork exemplifies the Renaissance's focus on humanism, portraying the Madonna with tender vulnerability and the Child with realistic detail, reflecting innovations introduced by artists such as Brunelleschi and Donatello. Initially misunderstood, these works challenged the dominant International Gothic style, aligning with Florence's emerging worldview that celebrated human dignity and the individual, foundational to Renaissance art’s evolution.
Related artworks
- Virgin and Child by Domenico Veneziano
- St. John the Baptist and St. Francis of Assisi by Domenico Veneziano
- Study of Apollo by Domenico Veneziano
- The Madonna and Child with Saints (detail) by Domenico Veneziano
- The Annunciation, predella panel from the St. Lucy Altarpiece by Domenico Veneziano
- Woman with Rose by Nikolaos Lytras
- Pastel Nude by Robert Brackman
- Evening in the Harbour by Ioannis Altamouras
- Port of Elsinore by Ioannis Altamouras
- View of the Sea by Ioannis Altamouras