Study for sculpture 'Empty and full abstracts of a head'

"Study for sculpture 'Empty and full abstracts of a head'" explores the Cubist approach to capturing Cubism through a fragmented perspective. Utilizing pencil and ink on paper, the work emphasizes geometric facets and planes that evoke the structure of a portrait. The abstracted head suggests multiple viewpoints, embodying Cubist sculpture's tendency to represent volume via shifting geometries inspired by Cubism. It aligns with the movement’s development from proto-Cubist protoforms in Paris around 1909, highlighting the dynamic, non-Euclidean rendering of three-dimensional space and form.