The Origins of the Great Bear

Frank Auerbach’s The Origins of the Great Bear (1967–1968) exemplifies his intense engagement with Expressionism, characterized by vigorous brushwork and a dense, textured surface. As a leading figure of post-war British painting, Auerbach’s technique involves layering thick impasto to build form and depth, creating a powerful sense of movement and emotional intensity. The title references the constellation Ursa Major, suggesting a cosmic or mythological dimension that contrasts with Auerbach’s typical focus on urban environments. While not a traditional Cityscape, the piece evokes a dynamic relationship between natural origins and Auerbach’s expressive style.