Burnt Umber & Ultramarine

Yun Hyong-keun's Burnt Umber & Ultramarine exemplifies his association with the Dansaekhwa movement, characterized by meditative and reflective practices. The painting features smearing effects of burnt umber and ultramarine blue paints on raw canvas or linen, creating a textured and evocative surface. Yun’s work highlights a Minimalism-influenced focus on materiality and process, while embracing Abstract aesthetics. His subtle yet powerful use of color and texture offers a Korean sensibility rooted in contemplation, inviting viewers to reflect on the meditative quality of the work.