Still Life with Fruit

"Still Life with Fruit" exemplifies Cubism through its emphasis on geometric forms and flat surface activity. Originating in the Crystal Cubism phase between 1915 and 1916, the painting distills the movement into large overlapping planes that prioritize the underlying geometric structure. This structure becomes the controlling element, abstracting the still life subject with minimal decorative detail. The composition’s focus on flatness and the interplay of shapes showcases the movement's shift away from realism, emphasizing the primacy of geometric form and surface over naturalistic representation.