Seated Girl

"Seated Girl" exemplifies Cubism during the Crystal phase, characterized by a refined focus on flat surface activity and the use of large overlapping geometric planes. Emerging between 1915 and 1916, this style emphasizes the primacy of geometric structure rooted in Abstract principles, which dominate the composition. The painting layers planes and shapes to create a fragmented yet cohesive depiction of the figure, with all elements governed by the underlying geometric framework. This approach reflects a shift towards emphasizing form and surface, moving away from traditional perspective to challenge the viewer’s perception.